This photographic series focuses on the new Colosseum metro station in Rome.
A space becomes a story. Through curves, stairs, and minimal human traces, architecture turns into a field of encounters, variations, and movement — a black‑and‑white journey that finds its point of escape in color.
CONCRETE ENCOUNTERS
This opening quartet explores the relationship between human presence and architectural scale. Figures appear as traces, interruptions, or quiet anchors within a monumental structure of curves and concrete.
TRANSIT VARIATIONS
These images shift the focus from presence to movement. Escalators, gestures, and intersecting lines reveal the architecture as a living system — a place shaped by flows, directions, and fleeting encounters. A series of variations that expand the space opened by the initial quartet.
A lone figure moves through a web of diagonals, where stairs and escalators turn the space into a dynamic grid of lines and light.
A symmetrical junction of stairs and escalators frames the flow of commuters, revealing the station as a structured, living organism.
Two silhouettes cross the monumental concrete arches, their gesture echoing the vertical pull of the architecture.
Two figures ascend a diagonal escalator framed by a curved concrete arch. The composition emphasizes vertical tension and layered geometry, where movement intersects with architectural rhythm.
RED OVER THE FLOW
A single touch of color breaks the rhythm of black and white. This final image opens a new direction: a quiet rupture, a point of escape where movement and structure find a different kind of balance.